Each section of Traffords cultural community carry equal importance to create the full circle.

The many facets of cultural diversity were displayed with equilibrium, ensuring the politics of culture remained unbiased. The energetic colours separated trafford from their neighbouring peers.

Having worked with AGMA on their annual report for a number of years it became clear that their previous branding was not functioning as efficiently as it should when used in certain situations.

The AGMA logo has always featured a pyramid of 10 cubes, each of those cubes representing one of the 10 Borough Councils of Greater Manchester.

Our job was to keep this synonymous mark intact, but recreate the typography to create a new, modern logo that would increase legibility and reproduce better at small sizes.

Creative Industries Development - Two interlocking forms infer the connection between independent creative industries and the development scheme itself.

Corporate identity design for a Manchester-based business consortium to generate awareness globally.

The central motif contains arcs of concentric lines, which have a suggestion of dynamism and upward mobility. This motif was incorporated into the body of the letterheads and other stationery as a page border.

A typographic solution that insinuates the physical nature of delivering, whilst communicating a highly sophisticated and caring personality.

Suppliers of contemporary interiors, Innerform needed to communicate their commitment to leading design. The typeface and style follow the simple lines and curves of contemporary furniture, emphasizing space and cleanliness.

Pure abstract forms create a contemporary flowing style imitating the nature of the fashion label.

X marks the spot for Nexis, who reign at the fulcrum of the credit recruitment industry.

Paradise night club looks forward to the future, benefiting from Factory Records legacy. The logostyle, a P with an F reflected from it, rests within a halo.

Typography that is designed to appeal to an international audience, applied across a large range of solutions from invites through to directional signage.

Through research into the work in the show and the artists featured we discovered that a lot of the pieces were intended to provoke thought in the viewer and appear awkward. We built on this theme and produced a strong typographic logotype that used three different planes of perspective and both positive and negative type.

Established in 1988, Liverpool Tate celebrated its tenth birthday in 1998. The rectangular lozenge that ‘The Tate’ brand rests in and the retro digital type forms the design. A single icon representing 88 and 98 was developed, using the Tates’ corporate colours.

Sub brand of L!ve L!fe Trafford.