Each section of Traffords cultural community carry equal importance to create the full circle.

The many facets of cultural diversity were displayed with equilibrium, ensuring the politics of culture remained unbiased. The energetic colours separated trafford from their neighbouring peers.

Having worked with AGMA on their annual report for a number of years it became clear that their previous branding was not functioning as efficiently as it should when used in certain situations.

The AGMA logo has always featured a pyramid of 10 cubes, each of those cubes representing one of the 10 Borough Councils of Greater Manchester.

Our job was to keep this synonymous mark intact, but recreate the typography to create a new, modern logo that would increase legibility and reproduce better at small sizes.

Creative Industries Development - Two interlocking forms infer the connection between independent creative industries and the development scheme itself.

Corporate identity design for a Manchester-based business consortium to generate awareness globally.

The central motif contains arcs of concentric lines, which have a suggestion of dynamism and upward mobility. This motif was incorporated into the body of the letterheads and other stationery as a page border.

A typographic solution that insinuates the physical nature of delivering, whilst communicating a highly sophisticated and caring personality.

Suppliers of contemporary interiors, Innerform needed to communicate their commitment to leading design. The typeface and style follow the simple lines and curves of contemporary furniture, emphasizing space and cleanliness.

Magenta Logic's initials combine to form a single icon.

New logo for Norris Bank Primary School.

Quarantine International Theatre - The typography is inspired by the stenciled markings that ships carry. The Q of Quarantine can also act as a stand-alone mark where appropriate.

A shopping bag with a swoop encircling it signals the branding, designed for an online shopping european market.

The '‘Y’' sweeps across making a roof, emphasizing the activity of this cottage industry.

The technology centre where you can source everything re. Your needs.

Lynn Hershman's exhibition 'Autonomous Agents' at The Whitworth Art Gallery guides you through her career. To brand the journey I decided upon the font OCR A, which was designed in 1968 to be recognised by computers and humans. This retrospective quality is heightened by selective use of colour. An initial transition is made by using full wall height vertical barring of complementary colour ways that reduce in width as you journey through, with a subtle op art quality.
Around the corner a set design of a New York flat lures you in. This belongs to one of many of the artists multiple personae, who suffers agoraphobia and has spent years in her flat. To heighten the sense of depression the perspectives are exaggerated by the walls and ceiling being drawn in. These are covered with layers of antique wallpaper, and aged lining paper pealing at the edges to metaphorically reference the different personalities, and exacerbate the desperation within. Sourcing lonely vintage pieces completed the experience, transporting the viewer to engage with the space and experience.

The literature accompanying the show reflects that Hershman is a pioneer in the use of emergent technology. To support branding the colours red green blue are used as RGB is synonymous with digital and film media.